For more than two centuries, traditional shapewear has been synonymous with rigidity and pressure marks on women's bodies, while the pursuit of beauty has often come at the expense of comfort. Fortunately, brands like Shapellx are designing products like a bodysuit with tummy control that are not only functional, but also comfortable and fashionable! 

2025-2030 is a critical period of transition and growth in the wholesale sector. Technology and sustainability are at the heart of this transformation, signaling a new era of efficiency, competition, and environmental consciousness in wholesale practices. 

The archaic ‘design-to-wholesale’ processes has depended for decades on months-long production cycles and speculative inventory models. 

Innovations like AI-generated designs, on-demand manufacturing, and blockchain-enabled supply chains are reimagining every step of the design-to-wholesale pipeline. These tools not only cut inefficiencies but also allow brands to respond in real time to trends and market shifts, reducing waste and improving profitability.

El martes 10 de diciembre de 2024, The Black Gallery abrió sus puertas con un Pop-Up, agrupando las propuestas de catorce marcas y destacados creativos venezolanos: Robin Morales, Nabel Martins, María Teresa Aristiguieta, Vanessa Farina, Grixoa, Viviane Guenoun, Calzados EZIO, Raquel Porte, el orfebre Eleazar Molina, La Sombrerería Caracas by Milena Roncayolo, By Guillermo García, Patricia Fumo, Lemontree y Conrado Veliz, con su firma homónima y Tamarindo; el trabajo de este creativo además da forma a la vitrina inaugural de la Galería.

Joséphine Baker, Artiste & humaniste (1906-1975) 

Constantin Brancusi, Sculpteur & visionnaire (1876-1957) 

«How two beings conquered the world with their freedom of expression.
 Pioneers and avant-garde figures; Joséphine dances and sings, Brancusi sculpts and Paris is set ablaze. 

They both took their art to its most fundamental essence.
 Joséphine sublimated the body and set it free, Constantin revealed primary forms and polished bronze to reveal all its light. 

Cubism combined with curves, Joséphine become a work of art, and Brancusi a pioneer of abstract sculpture. 
It is from this union of spirits and forms that my vision comes to life and gives birth to the collection. The shoulder is bold, powerful, the spirit is free, an affirmation of self. 

Reimagined tuxedo in black gazar and ebony satin.
 White tunic with golden vines embroidery falling on the legs. 
Cape dress in white crepe or cubic sweater in Brancusi embroidered wool gazar. Transparency celebrates the movement of the body.
 Bark chiffon dress with embroidery in ebony and crystal.
 Giant tunic in brown gauze embroidered with topaz and rosewood.
 Scarified leather sweater paired with a pleated brown organza skirt. 

Generous handfuls of burned feathers cover a satin vest and the oversized collar of a jumpsuit. Layered organza pleats in kinetic movement embrace the body. 
Joséphine dances again. Free.
 Warmth meets coolness. 

Wood is embroidered on silver lamé gazar and velvet, while the gleaming gold of the chestplate jewelry references THE BIRD, the supreme masterpiece of Constantin Brancusi.» 

El 18 de noviembre de 2024, personalidades afines a la industria del entretenimiento y la moda en Venezuela, así como medios de comunicación, fuimos convocados al segundo aniversario de galería Avanti, destino de compras multimarca que reúne firmas internacionales de alta gama, tan icónicas como virales -tales como Boss- en moda, tecnología, estilo de vida, además de cosméticos, perfumería, hogar, electrodomésticos, indumentaria, calzado y accesorios para damas, caballeros y niños, juguetería, entre otros.