Stéphane Rolland concibe su colección de Alta Costura de Verano 2026, titulada Parade, como la resurrección de un circo elegante y perdido. Fuertemente inspirada en el vestuario diseñado por Pablo Picasso para el ballet Parade (1917), evoca específicamente la historia imperial del Cirque d’Hiver de París, fundado como Cirque Napoléon durante el Segundo Imperio Francés bajo Napoleón III, mismo teatro que sirvió de escenario para la presentación de la colección, el pasado 27 de enero de 2026, durante la Paris Haute Couture Week 2026.

Para esta temporada Summer 2026, Stéphane Rolland reimagina el circo de antaño, que no alza la voz, ni busca la atención por el exceso, sino por la presencia. La pasarela se desarrolla como una procesión. Nada ilustrativo, todo sugestivo. 

Technology has connected us and automated our most everyday tasks, but it has also made us visually homogenized. We live hyperstimulated with notifications that come and go with the speed of a left swipe, and amidst all this utilitarianism, owning gadgets that stand out from the crowd is a true luxury. 

Just under 30 years ago, it was a complete utopia that there would be a computer for every inhabitant of planet Earth, and today it's a reality, only we no longer need a desktop computer, because our smartphone can do it all!

“Nothing is more sustainable than something that lasts forever” is the basic premise of Spanish journalist Sònia Flotats, founder of the magazine So Good So Cute, a leading voice in sustainable fashion and social impact communication. The resale market, which is transforming how we understand consumption, shares this same fundamental principle. 

In a market dominated by the ephemeral cycle of fast and ultra-fast fashion, —where micro-trends driven by the TikTok algorithm expire in mere days—, the ultra-luxury handbag industry has emerged not only as a valuable investment but also as the ultimate standard for conscious sustainability.